For this week’s Rhapsody we have Harriet Cohen and the London Symphony Orchestra perform Hubert Bath’s Cornish Rhapsody from the film Love Story.
https://www.youtube.com/watch?v=B1-eaYCV63g
For this week’s Rhapsody we have Harriet Cohen and the London Symphony Orchestra perform Hubert Bath’s Cornish Rhapsody from the film Love Story.
https://www.youtube.com/watch?v=B1-eaYCV63g
My initial idea for a theme this week was something in the way of people trying to maintain the façade of an artificial reality. Unfortunately I’d seen most of the movies that could go with the movie that had inspired me to go in this direction, Goodbye Lenin!, so I was forced to muddle along and the connection between it and my second film choice ended up being a bit of a stretch.
Goodbye Lenin! is a German Film about the end of East Germany and how, at least in one apartment complex, lasted just little longer.
We open hearing our protagonist, Alex Kerner, tell the story of how his mother Christiane, embraced communism after his father defected to the west and years later how she had a heart attack from the shock of seeing him in a pro democracy rally putting her in a coma for eight months. During that time the Berlin Wall falls letting all the joys and horrors of capitalism pour in.
When she finally wakes up, Alex is warned by the doctor that any shock could cause Christiane to have another heart attack. In order to prevent this Alex reverts the family apartment to the way it was a year ago and does everything he can to make it look as if East Germany is alive and well. This, however is easier said than done and as the movie continues the façade becomes increasingly difficult to maintain.
This is an interesting quiet film, and while the premise Is certainly comic it is played perfectly straight. The pacing seemed a bit off time most notably my favorite scene where Christiane finally walks out of the apartment and sees modern Berlin covered in loud colorful commercialism with a statue of Lenin flying by hanging from a helicopter. I would have imagined this to be the climax of the film in any other film but in this one the story went on for another 45 minutes.
While, as I said my other film selection, Human Nature didn’t fit my original theme beyond on of the characters trying to hide her true nature to her lover, but it was still quite enjoyable amusing quirky piece of magical realism. It tells the story of a man raised by apes (actually his crazy father who thought he was an ape) and a woman who abandons civilization and the quirky behavioral scientist who brings them together.
This is a flawed but fun satire that has a lot to say with some good performances, (including an early cameo from Peter Dinklage) I found myself liking some of the background material the best, most notably a pair of white mice seen throughout the film who were a lab experiment to see if mice could be taught table market. Near the end of the film they are released into the wild. As the credits go up we see them trying to hitchhike.
This week’s Rhapsody is Ernest John Moeran’s Second Rhapsody in E Minor.
Well another free first Thursday at the Seattle Art Museum and another crack at Massimiliano Soldani Benzi‘s Lamentation of the Dead Christ. This time I tried going at it from the other side that I normally have.
Regrettably it’s about as much of a mess as usual. This really is a hard one to do standing up. Every time I looked at it it was at a slightly different angle! To add to my humiliation, included is the photo I took of the original angle I started with.
While I was drawing this I couldn’t quite get it out of my head why an angel would be crying in any of these paintings when they would know the score… Unless the need to know bureaucracy of Heaven is even more convoluted than the Bible suggests.
Too true. As much as I enjoy the modern folklore that is UFOs to the point that I occasionally am willing to let myself get fooled. The whole “ancient astronauts” schtick is insulting to our species as a whole.
The intent of this week’s selection was marketing and advertising.
The first on my list, How to Get Ahead in Advertising, tells the story of a smarmy advertising executive under breaking under the stress of his deadline when he can’t think of a new campaign for skin cream. As his stress gets the better of him he get’s a huge boil on his neck which begins to talk and grows to become a second head (get a head in advertising, get it?) embodying all of his cynical amorality taking him over completely.
I really had mixed feelings about this one. It started in a really fascinating direction and almost exactly at the half hour mark it decided to be something else. At it’s best it was a darkly cynical satire but the rest of the time it was heavy handed sermonizing. What kept me watching it was Richard E. Grant’s performance. He did a wonderful job of fluctuating from a complete amoral bastard who lectures his colleagues about how it isn’t their job to solve a problem but to maintain it so they can keep selling their clients’ product, to a simpering half mad victim begging people to believe him when he says it’s the boil saying these terrible things and not him.
For the longest all I knew about The Hudsucker Proxy was it was a loosely based on the actual creation of the hulu hoop and that it was one of the Coen brothers few flops. But since then I’d heard that time had been kind to it and I started to hear good things.
Hudsucker Proxy presents us with modern fairytale about a complete innocent who starts work at the monolithic Hudsucker company on the same day it’s CEO commits suicide. Due to some dumb luck he gets hired as the new CEO by the board in order to make value of the company’s stock temporarily plummet so they can buy it up cheap. Instead he invents the hulu hoop and the craze makes the company more successful than ever.
This is a wonderfully sweet and funny film with a gorgeous stylized art deco aesthetic with the leitmotif of “Stormy Weather” in the background (though there were a few times near the end I found myself wondering if I was getting it mixed up with “My Way” and a happy ending provided by a literal deus ex mechana (seriously, the spirit of Mr. Hudsucker is lowered down as an angel playing a white ukelele.) It seems to be a callback to 1930s screwball comedies but if it is the Coens are giving it their own personal spin and more power to them.
https://www.youtube.com/watch?v=mJQHdhjQXgg