Rhapsodies

A comic strip about life, love, accounting, progressive bookstores and the divine power of jazz!
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Wednesday Double Feature – The Road To Series

by wpmorse on March 18, 2020 at 8:45 am
Posted In: Test

This week I finally got around to watching another series of classics that, for assorted reasons, I’ve never gotten too. In this case, Bing Crosby and Bob Hope’s The Road To series. For years, I’ve mostly seen films that were either inspired by or parodied by this series. My personal favorite being DreamWorks’ Road to El Dorado. As a fan of both Crosby, Hope, and of course, Dorothy Lamour, I can’t deny that I hadn’t been curious. (Most of the time my reasoning was… OK, my excuse!) Was that I didn’t know which one to start from. When I finally had some good suggestions to work with. But when I finally made my choices, I discovered that Scarecrow Video had a collection of the first four which included my picks thus making it a moot point. 

Keep in mind these films don’t have any new continuity. Because of this, I’m not gonna bother saying Crosby and Hope play since they may play different characters, for the most part, these characters are all the same people. 

Wednesday Double Feature - The Road To Singapore.

Our first film, Victor Schertzinger’s Road to Singapore has our pair as merchant Marines. Crosby is the son of the shipping company, who wants him to settle down in the office and get married. To avoid this the two hightail it to Singapore. However, they only get as far as the island of Kaigoon before they run out of money. They rescue a dancer (Dorothy Lamour) from her abusive dance partner. They end up having a pleasant living situation and both of them falling in love with the dancer. 

But this tropical paradise can’t last forever because Bing‘s in-laws are tracking him down not to mention Dorothy‘s former partner. 

Wednesday Double Feature - The Road To Zanzibar

In the next film, The Road to Zanzibar (directed again by Schertzinger) Bing and Bob are a pair of circus carnies who after failing at a string of stunts go wrong. Before they can return to the states, Crosby spends all of their money on the deed to a lost diamond mine. Soon later they find themselves in an expedition to claim it accompanied by Lamour.

Wednesday Double Feature - The Road To Morocco

In the next film, The Road to Morocco Hope and Crosby are shipwrecked after Hope smokes in the powder room. After enough time on a raft to contemplate cannibalism, they find themselves on the coast of a fantasy version of Morrocco. Still broke, Crosby sells Hope into slavery. He feels guilty about soon enough, but when he goes to rescue Hope he finds him engaged to and pampered by a beautiful princess (Lamour) It turns out she had arranged it so that Hope would be killed as a prophecy predicted so she can safely marry her prince. She gradually falls for Crosby but they still have to escape from the prince. 

Wednesday Double Feature - The Road To Utopia

Finally the last on my list Hal Walker’s Road to Utopia, the boys head north to the Klondike, having obtained a map for a goldmine from a pair of criminals who attack them. They arrive in Alaska disguised as the criminals. However, the Criminals are close behind them as is the daughter of the man they killed to get the map from. 

All in all, I found to be these movies sadly formulaic. They had some good routines, songs and Crosby and Hope have great chemistry. I just wish there was a better movie for them to use it in. 

For the most part, I think the best of the four was The Road to Morocco… provided you don’t think too much about what a Bactrian Camel is doing in northern Africa. 

└ Tags: Movie Reviews
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Tuesday Rhapsodies – Back to Basics With Gershwin

by wpmorse on March 17, 2020 at 9:00 am
Posted In: Test

I know, I know, I’ve done Rhapsody in Blue by Gershwin before. But I was looking for a safe version of it for a Youtube trailer I’ve been working on and I stumbled over the original 1927 recording.

What amazed me about it was how subtly different, it was from all of the modern versions. I don’t know if was the timbre of the clarinet, or one of those technicians vs artists things, but it came off like it’s own unique piece… and I like it.

└ Tags: George Gershwin, Rhapsodies
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Wednesday Double Feature – The Killer and The Media

by wpmorse on March 11, 2020 at 8:11 am
Posted In: Test

You’d think after doing serial killers last week I’d get as far away from the topic as possible until Halloween. Instead, I double down watching films about how the media hypes serial killers. 

Wednesday Double Feature - The Killer and The Media - natural Born killers

The first film on my list Oliver Stone’s Natural Born Killers tells the story of Micky and Mallory Knox ( Woody Harrelson and Juliette Lewis) a pair of psychopaths on a killing spree. In the process, they become media icons, propped up by tabloid journalist Wayne Gale (Robert Downey Jr.) while hunted by corrupt celebrity detective Jack Scagnetti (Tom Sizemore). If you think that’s bad imagine what happens when they actually catch them. 

Natural Born Killers was one of those films that are better known for the controversy than the film itself. Frankly, I think I think it’s overrated. It’s pretty much an excuse for Stone to do just about every heavy-handed, He goes back and forth between color and black and white and whatever else in between. At first one would think he’s playing with the perceptions of insanity vs the real world but it’s inconsistent. He does other things throughout the film but ultimately it’s just one big mess. 

Wednesday Double Feature - The Killer and The Media - Man Bites dog

My next film, Man Bites Dog (French: C’est arrivé près de chez vous, literally “It Happened Near Your Home”) written, produced and directed by Rémy Belvaux, André Bonzel and Benoît Poelvoorde take this even farther with a film crew following the serial killer, Ben (Benoît Poelvoorde). Ben takes the crew through his day as he murders people while telling them the tricks in the trade and his views of life. Gradually the crew is drawn in. 

This was funny at times, in a dark cynical way, but ultimately disappointing. 

└ Tags: Movie Reviews, Thrillers
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Game of Thrones – The Karstarks

by wpmorse on March 10, 2020 at 10:43 am
Posted In: Art

The arrival of the Karstarks game a little bit of a headache. The scene is actually taking place in Maester Luwin’s tower with Bran watching in his telescope. So ideally I should have that as a picture. However, I’d already done a picture of the interior of Luwin’s tower, and I couldn’t think of how to show any of what Bran is looking at through the window. Besides, Bran is in his basket at the moment and I wanted to save him some dignity for now.

I was hoping to show the scale of Robb showing the banners but ultimately I thought it was easier just showing the Karstarks. I rather like how Rickard Karstark turned out. He looks driven and obsessive, a potential thorn in Robb’s side even before things go south. (unintentional pun realized just as I typed it.)

In today's Game of Thrones Illustration, Bran watches the latest of the Starks' banners arrive led by Lord Rickhard Karstark.

“How many is it now?” Bran asked Maester Luwin as Lord Karstark and his sons rode through the gates in the outer wall. 
“Twelve thousand men, or near enough as makes no matter. “
Game of Thrones – Chapter 53
└ Tags: Game of Thrones, Illustration, Pen and Ink, Sketch Challenge
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Tuesday Rhapsodies – Liszt’s Hungarian Rhapsody #02- Orchestral Version

by wpmorse on March 10, 2020 at 9:44 am
Posted In: Test

It’s been a while since I’ve done Tuesday Rhapsodies. I’d mostly used up all of my possibilities and got tired of scraping the barrel trying to find new ones. Having said that, after hearing so many versions of Liszt’s Second Hungarian Rhapsody, I can’t believe I never heard of an orchestral version!

So here it is courtesy of The Philharmonia Orchestra, led by Herbert Von Karajan. It looks like I’ve found a reason to start the hunt for new Rhapsodies again!

└ Tags: Music, Rhapsody
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Wednesday Double Features – Artistic Serial Killer Film

by wpmorse on March 4, 2020 at 8:25 am
Posted In: Test

This week I watched artistic thrillers about serial killers. ones that were stylistic enough that it’s hard to call them horror films, no matter how hard you try.

Wednesday Double Features - Artistic Serial Killer Film - Night of the Hunter

The first film on my list. Charles Laughton’s “The Night of the Hunter,” tells the story of John, a boy who has been told by his father to hide his stollen money and give his word never to tell anyone. This is made all the harder when his father’s cellmate the Reverand Harry Powell, Robert Mitchum, a conman, murderer and definitely not a holy man, comes looking for the money.

Powell marries John’s now widowed mother, taking control of both her and the town with his preaching. Now it is a cat and mouse game for John to keep his word and to keep himself and his sister Pearl alive.

Night of the Hunter was the only film Laughton ever directed, and I see this as one of the great tragedies in the history of film. It is visually brilliant with some of the camera shots feel like illustrations. My favorite being the reveal of the fate of one of John and Pearl’s mother drifting underwater, which is as beautiful as it is horrific.

Just as great as Mitcham’s performance as the preacher. He plays Powell as charming, charismatic and driven as he gaslights his flock and relentlessly hunts John and Pearl as they escape down the river. It’s easy to say without too much hyperbole to consider fun one of film’s great monsters. Almost as good is Lilian Gish as Rachel Cooper. The woman who takes John and Pearl in and stops Powell once and for all.

Wednesday Double Features - Artistic Serial Killer Film - Peeping Tom

The next film on my list Michael Powell‘s Peeping Tom tells the story of Mark Lewis (Carl Boehm) a voyeur Filmmaker who prefers to look at the world through his camera. Even when he’s killing prostitutes.

This was a difficult film to watch. Powell makes us identify with Mark as much as his victims. And we find ours ourselves fearing for anyone who interacts with him be it Helen Stephens (Anna Massey) his downstairs neighbor who befriends him or her blind mother (Maxine Audley) who confronts him.

Aesthetically this film was fascinating I don’t know if it was on purpose or a limitation of the technology, but the high contrast colors especially the reds were, incredibly effective.

A little side note. It feels like one heck of a coincidence that the director of the second film I watched has the same last name as the villain in the first.

└ Tags: Movie Reviews, Serial Killer, Thrillers
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