Rhapsodies

A comic strip about life, love, accounting, progressive bookstores and the divine power of jazz!
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Wednesday Double Feature – Robert De Niro Master Criminal

by wpmorse on May 1, 2019 at 9:02 am
Posted In: Test

This week my selection was based on the career of that master criminal, Robert De Niro… Okay, you found me out I was watching heist films starring Robert De Niro as a master criminal. 

Wednesday Double Feature - Robert De Niro Master Criminal - The Score

The first film on my list, Frank Oz’s, The Score features De Niro as Nick Wells a Montreal Nightclub owner by night and safecracker by… okay also by night… The metaphor doesn’t work as well as I’d like. 

Anyway, Nick is a career burglar and safecracker who, after twenty plus years in the business, and nearly getting caught in his last job, wants out. His fence, Max (Marlon Brando) has a job to steal a priceless French golden scepter from the most impregnable building in Montreal. His inside man, the arrogant but extremely competent Jack Teller(Edward Norton) has a difficult but surefire plan. It’s an offer that Nick can’t refuse, since it will let him get out of the job debt free. But with the stakes involved who can you trust?

I really liked this film. In my ongoing Art vs Craft argument regarding film, Oz is one of the directors I put on the craft side of my argument. (No insult, mind you, his craft rocks) On another note, he’s a director mostly associated with comedy and this is the first drama I’ve seen him do. For the most part, I think he pulled it off very well. 

Along with Oz’s directing chops you have three generations of great actors in Brando, De Niro, and Norton. All three are at the top of their game. I was especially impressed when I found out most of the great dialogue came from Oz allowing them to improvise. 

Wednesday Double Feature - Robert DeNiro Master Criminal - The Heat

The next film on my list, Micheal Mann’s Heat, features De Niro as Neil McCauley the leader of a hardcore crew of professional criminals. Neil is a consummate but ruthless professional who’s first and only rule is “in your life that you cannot walk out on in thirty seconds flat if you spot the heat around the corner.”  After their last heist ended in the murder of three bank guards, they become the target of LAPD Major Crimes Unit Lieutenant Vincent Hanna  (Al Pacino) In a string of cat and mouse games who will win?

Sometimes when I’m watching these films I think of how these films, in hindsight, would have gone much better with a different film as a double feature… In this case, I think Heat would have gone perfectly with the Martin Scorsese’s The Departed. Both of these films focus on the almost dualistic nature of the hunter versus the hunted and how each is a skewed reflection of the other. 

This is another film where everyone is on the top of their game. Obviously, De Niro and Pacino are at the top of their game, but the rest of the cast are at the top of their game, with special points for Val Kilmer as DeNiro’s competent but immature second in command. 

The action scenes are wonderfully choreographed with brutal realism. In fact, if I have any problem with this film, it’s that it’s juggling too many plots to fit in the film’s three-hour time frame. 

But still, that’s like complaining that the problem with Mozart’s music is there are too many notes, right?

└ Tags: Heist, Movie Review, Robert De Niro
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Happy Birthday, Mr. Duke Ellington – Solitude

by wpmorse on April 29, 2019 at 9:27 am
Posted In: Test

A very happy one hundred and twentieth birthday to Mr. Duke Ellington! Let’s celebrate by listening to him tickle the ivories with “Solitude“

└ Tags: Duke Ellington
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Wednesday Double Feature – Boccacio’s ?Decameron

by wpmorse on April 24, 2019 at 9:00 am
Posted In: Test

We care decided to do something different and watch films based on one of the classics of Western Literature, Giovanni Boccaccio’s Decameron. 

Like Canturbury tales, written about the same time, the Decameron is a collection of stories of all sorts. (Though they lean towards the bawdy) The main difference is rather than being a group of pilgrims’ its a group of upper-class Florentines staying in an abandoned country villa waiting out the plague. I thought this  would make for lots of good material for directors. A word of warning, I haven’t read the Decameron since college and what I remember is mainly from Boccaccio is reporting on the bubonic plague‘s impact on Florence from my reading of the 14th centurey and The only story I remembered reading was the extremely raunchy tale of the friar who seduced a maid by having her “put the devil in hell.“ 

Wednesday Double Feature - Boccacio's Decameron -  Pier Paolo Pasolini’s

First film on my list Pier Paolo Pasolini’s Decameron focuses on the raunchier and down to earth tales all shot in Neapolitan dialect. It does not bother with the framing device. In fact it barely bothers to put the pause between stories. This gives the whole thing is a real stream of thought quality, that makes the first half hour a little confusing before you catch on. Another problem I found with it was the medieval world created by filming in. Buildings that are otherwise untouched makes the world seem partially abandoned and falling apart (perhaps with the context of the plague, this was intentional)  

Wednesday Double Feature - Boccacio's Decameron - Paolo and Vittorio Taviani’s -Wondrous Decameron

The next film, Paolo and Vittorio Taviani’s Wondrous Boccaccio the framing device it is the whole point of the movie, going into great detail how the world was dying in the storytellers barely escaped of their lives. 

Once they get to the estate the stories almost seem like a distraction with the young characters having quite a good time frolicking. Most of the story selected seem to lean toward more towards the romantic and the other film my favorite is the one about the Abbess who was summoned to discipline a nun who was caught with her lover. The Abbess was so distracted hiding her own lover she put her his longjohns on her head instead of her veil. 


└ Tags: Bocaccio, Movie Reviews
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Wednesday Double Feature – California Wine

by wpmorse on April 17, 2019 at 9:00 am
Posted In: Rhapsodies

This week I decided to watch movies about wine and wine appreciation. 

Personally I like good wine, though I admit  I have a lousy palette. Because of this, my snobbery rarely goes beyond trying to avoid any wine that is less than two years old. My wine purchase consists of occasionally buying a bottle of Three Buck Chuck‘s. Something that would have all of the characters in the movies I watch this week denouncing me as a complete poseur. 

Wednesday Double Feature - California Wine - Bottle Shock

The first movie on my list Randall Miller’s Bottle Shock tells the mostly true story of the rise of California wine growing in the Napa Valley. We focus on Jim Barrett (Bill Pullman) of Chateau Montelena. The business has been going badly and Jim has just taken out a third loan. To make matters worse he’s frustrated that his son Bo (Chris Pine) does not appear to be taking an interest in the business. Meanwhile, in France, English Wine Seller, Steven Spurrier (Alan Rickman) needs something to invigorate his business and decides to investigate California wines for a blind taste contest. In the process, Chateau Montelena attracts his attention as the best contestant. Can California wines compete with the French giant?. 

I enjoyed this film a lot. It had quite a few good performances and it captured some thing that I always look for where a pure love and appreciation 0f the wine tops elitist snobbery. 

Wednesday Double Feature - California Wine - Sideways

The next film on my list Alexander Payne’s Sideways tells the story of best friends, Miles and Jack. (Paul Giamatti and Thomas Haden Church)  Jack’s getting married in a week so Miles takes him on a trip to California wine country for a week of wine tasting, golf the perfect pinot. (Also Jack wants to get laid one last time before he gets married.) The week starts well with our duo hooking up with two amazing woman Mara and Stephanie (Virginia Madsen and Sandra Oh) but as the week continues things begin to slowly fall apart. 

I have mixed feelings about this one. It certainly a good film with wonderful performances (Paul Giamatti is one of my favorite character actors for a reason) But I just couldn’t get into it. Perhaps it’s because several critics I respect liked it so much I was expecting something brilliant, or perhaps having lived it, I have trouble finding humor in depression and anxiety. Either way, it’s worth checking out just be aware you might not be its target audience.  


└ Tags: Movie Review, Wine
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Rhapsodies Has a Patreon Account!

by wpmorse on April 12, 2019 at 1:31 pm
Posted In: Test
Paul, Brian and Kate promote the brand new patreon account for the Rhapsodies Comicstrip.

Good news everybody. After being indecisive for far too long I’ve finally set up a Patreon Account! It’s still a work in progress and I’ll be adding more benefits soon.

For now the big reward is that for a patron set of five dollars (referred to as “melody” for now you get a background (or frequently foreground) cameo in the strip.

So click that link to your left and check it out and become part of the Rhapsodies community!

└ Tags: Patreon
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Wednesday Double Feature – Fighting Yourself

by wpmorse on April 10, 2019 at 9:22 am
Posted In: Test

While randomly going through Scarecrow’s science fiction section I settled on the theme that I chose to refer to as “fighting oneself.” When I say this I mean this I mean it literally. I’m talking about the completely fanciful scenario where there is another version of you, and for whatever reason they have it in for you.

Wednesday Double Feature - Fighting Yourself - The One

In the first film on my list, James Wong’s The One, multiple dimensions exist. In this setting, if any version of you dies the rest of you get that version when Gabriel Yulaw (Jet Li) accidentally discovers this, he goes on an inter-dimensional killing spree to “become a god”. Now the last of his alternate selves must fight to survive. 

When I first heard of this film I was fascinated. It had one of my favorite tropes in science fiction, and Jet Li kicking ass. So you can understand  I was disappointed. This film was really bad. I’ve heard that it was originally intended to star Dwayne Johnson but that only excuses so much. Neither the script or the story are any good, the rules of the setting makes no sense, and the quality of the action scenes waste Jet Li’s talents completely. Frankly, it’s so bad I can’t even consider it entertaining fluff. 

Wednesday Double Feature - Fighting Yourself - Fighting yourself

In the next film on my list,   Rian Johnson’s Looper, time travel is discovered 55 years from now. It immediately becomes illegal, but that doesn’t stop shady criminals from using it. Now they appear to be using it almost exclusively to dispose of bodies. The victims are transported to the past where an assassin (well… the script calls them assassins, but really, that’s giving them way too much credit, they are barely executioners) is waiting to kill them and dispose of their body afterward. (After all, how can killing someone who doesn’t exist yet be illegal?) The executioners are paid in silver bars. The catch is that this technology is so illegal, the future mob needs to destroy ALL of the evidence. That includes the executioners if they are still alive in the future. They are captured and sent to the past where. This closes the “loop”. For this they are paid in gold bars. The assassins can can run if they want but in thirty years the future mob will catch them. 

Joe ( Joseph Gordon-Levitt) is one of these executioners. He’s doing fairly well. On one job, his older self (Bruce Willis) is sent. The older Joe manages to escape. Now Joe has to hunt his older self in order to close the loop while being hunted by his superiors who are trying to do the same thing. 

I liked this film. It’s smart, with a good script and a plot that kept me interested all the way through. Regrettably, when I put on my science fictions snob hat, I see too many unanswered questions. What are the rules of time travel? How was the arrangement with the future mob and the present mob created? How are the executions scheduled? Why is mob executions the only thing the mob use time travel for? And so on…

Because of this it was impossible to love this film.

└ Tags: Film Reviews, Science Fiction
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