One of my favorite scenes in the book where Arya hears the conversation that reveals the whole conspiracy between Varys and Illyrio Mopatis. On the other hand from a pen and ink perspective, it’s a nightmare due to all the hatching. Also, I had to read most of the chapter to find out exactly what room Arya found herself in when she overhears the conversation.
The only problem I have with this picture of Gregor Clegane and the Lannister Vanguard is my usual complaint that all the visual references in the world will fix my ability to draw a horse. I could also say I got the size of the rider in relation to the horse off. Since it’s Gregor Clegane, I’m off the hook.
I’m still learning to draw real armor as opposed to the vaguely medieval robot suits you usually see in comics.
I’m afraid this first look at the Small Council is one of my better pictures in this series. Even after I realized the biggest problem was I’d drawn Ned’s head too big I wasn’t happy with his pose. Still, this is my first take on three characters, Janos Slynt, Renly Baratheon, and Varys.
Slynt, in a way, was the easiest. Martin describes him pretty well as bald and jowly, kind of a middle manager in armor. The Goldcloaks’ costume was the hard part. I had trouble finding good references for what a 15th-century guard would be wearing. I finally decided to loosely base them on the Vatican Swiss Guard, and since Slynt is the captain, I gave his uniform plumes.
Renly was a more subtle challenge. Most of the fans write him off as just a pretty boy. The thing is, while the show has him completely out of the closet, the book does not and as far as the first book is concerned we’re supposed to be fooled by this handsome charming package.
Finally, we come to my personal favorite, Varys. Now as far as my personal take is concerned, and I look forward to being proved wrong when the next book finally comes out, “Varys” is just another disguise worn by an unnamed character I call “The Pro From Lys”. It is certainly their primary disguise that they spend the most time on. To be “Varys” they probably add a little bit of padding, but not too much since there’s only so much you can do with your face, then they play up their effeminacy with the clothes, mannerisms, perfume, and makeup. )Martin doesn’t mention makeup but it seems to be a logical part of the “Varys” persona.
I officially declare the Halloween season started, and to start things off in my month of horror films the subject vampire girls!
The first on my list was one I’ve been hearing quite a bit about Ana Lily Amirpour’s A Girl Walks Home Alone at Night. The film tells the story Arash (Arash Marandi) a young man living in “Bad City”, an imaginary city in Iran, struggling to make a living while supporting father is a heroin addict. One night when confronting his father’s dealer, he sees a girl (Sheila Vand) dressed in a traditional chadur walking out of the dealer’s apartment. It turns out she’s a vampire who has made short work of the dealer. From here things get interesting.
This Persian language film described as the first “The first Iranian vampire Western” is the best film about a chadur wearing, skateboarding vampire ever. It’s wonderfully done in a stylized black and white with a nice moody vibe of an empty run down town where in the middle of the nigh the only people on the street are the predator and her prey. The Girl is one of the best recent takes on the vampire archetype. She’s whimsical and playful, almost catlike (as in she will play with her food) but when it matters, she is deadly.
The next film on my list was Matt Reed’s Let Me In.
Owen(Kodi Smit-McPhee) is not a happy boy. He’s very religious mother is in the middle of a divorce. And he’s bullied in school. He copes with this by nursing some very dark and sadistic fantasies, not good for a boy his age. One night he meets a girl who has just moved into the neighborhood named Abby ( Chloë Grace Moretz). She’s a very strange person. Along with seeming out of touch with everything, she doesn’t seem to have any trouble with the cold, walking in the snow barefoot. Despite all of this, and Abby‘s efforts to push him away immediately, they become fast friends.
I have heard good things about this remake, Tomas Alfredson’s of Let the Right One In and I’ve heard that it was a good example of how to do a cultural translation of a film right. For the most part I agree with this in that it shares most of the quality of the original film with a few deviations, (for example it’s a detective hunting Abbey, rather than the boyfriend of one of her victims) nothing was perfect however. For example the terrible CGI cats from the original film replaced by the almost as unconvincing animation of Abby attacking people.
Beyond having to draw another horse. Drawing Bran’s encounter with some wildlings and Night’s Watch Deserters went pretty smoothly. Though I forgot some details about Hali’s knife.
This is the first appearance of Osha, so I made an effort to design everybody in the scene before I started playing with the composition. I’m afraid it’s kind of wasted since Osha’s barely visible in the background, and everyone else shall be killed in the next page.
This illustration showing Tyrion returning to the Inn at the Crossroads, where he sees how his father “rewards” Masha Heddle, the innkeeper, for “letting” Catelyn kidnap him, went extremely well.
My main problem with it was overthinking how Tyrion could dismount a horse. This is mostly because Martin is all over the place with just how handicapped Tyrion is in the first book, from being able to do acrobatics in his first appearance and needing a cane elsewhere. Also, I assumed he had a special saddle to ride similar to the one he designed for Bran, and that was taken from him when he was taken to the Eyrie.
Besides that my issues are minor. Based on the text I probably should have shown the innkeeper’s frontside.
Also, I’m terrible at drawing horses.