I thought I’d start to add a few little side strips that don’t really fit into the rest of the strip, starting with Blossom and Hilda doing some Game of Thrones cosplay.
Hilda thinks she’s being typecast.
I was watching a review of the works of Satoshi Kon today, where it was mentioned that one of Kong’s major influences had been the film adaptation of Kurt Vonnegut Jr’s Slaughterhouse Five. Since that’s yet another example of a film I’d known about for years, but had never gotten around to actually seeing. So I figured, what the heck, this week I’m doing films based on the works of Kurt Vonnegut!
Slaughterhouse-Five is one of those films that has a picture in nearly every textbook about science fiction since it came out. Yet I’d never heard anything better than mixed reviews for it. However, it was a film by George Roy Hill so at least I knew whatever I thought it would be a good piece of film craft.
Anyway, Slaughterhouse-Five tells the story of Billy Pilgrim, played by Michael Sacks, a veteran and former POW who survived the firebombing of Dresden. Due to being abducted by the Tralfamadorians, alien from the fourth dimension, he is unstuck in time. Going back and forth between his time in the war, and his life afterward, and his experience in the alien zoo. Witnessing every possible tragedy along the way including the aforementioned bombing of Dresden, a war buddy getting shot in an SS firing squad, surviving a plane crash and his wife dying in a self-inflicted traffic accident… So it goes.
I think you really need to be familiar with the book to appreciate this film, otherwise, the nonlinear storytelling doesn’t make much sense. Otherwise, I thought it was a solid adaptation, though perhaps they cut it down a little bit too much.
For one thing, no one ever said the key phrase, “So it goes”, even once.
The next film on my list, Alan Rudolph ’s adaptation of Breakfast of Champions, tells the story of Dwayne Hoover, played by Bruce Willis, a successful but mentally unstable car salesman. If his slowly deteriorating mental condition wasn’t bad enough. He’s even more stressed out by “Hawaain week” (his dealership’s biggest sales week of the year) His wife is popping pills, his best friend and his sales manager (Nick Nolte) obsession with being outed as a crossdresser is affecting his work. Into this seething pit comes hack science fiction writer, Kilgore Trout who has been invited to attend a local art festival with just the right match.
I had not heard many good things about Breakfast of Champions when it first came out and regrettably, most of those critics weren’t far off. While I don’t think I found it painful, like Mr. Vonnegut did, it didn’t much for me either. To be honest I’m at a loss how a director could do such a stream of thought novel like Breakfast of Champions, right.
Still, Albert Finney’s performance as Kilgore Trout made it at least partially worth the slog.
This week I decided to clear my palette a bit with some Japanese science fiction, or more accurately live action, kaiju free science fiction. Regrettably, I kind of rushed into the idea without enough research leaving me with films where whether they where science fiction or not may have been a stretch, or they weren’t a good pick to begin with.
The first film I watched, Hiroshi Teshigahara’s The Face of Another. It tells the story of Okyauma, (played by Tatsuya Nakadai) a man who has had his face destroyed in an industrial accident. Afterward, he becomes alienated from society and straining his relationship with his wife.
A plastic surgeon gives him the opportunity to try a perfect but experimental mask, that will let him pass as an ordinary person. At the same time, however, it gives him perfect anonymity. He quickly gets intoxicated by the possibilities and plans to take advantage of the possibilities and take revenge on the people he believes have wronged him.
This was a very interesting film. It’s beautifully done. Though at the same time it’s very artsy and has the feel of a philosophy treatise so as well done as it is I don[t think it’s quite everybody’s thing.
I was aware of Machine Girl for some time. I don’t quite remember when I heard of it. It was either a poster at a video store or I saw a trailer for it before an anime film. Either way I thought it would be an enjoyable second choice when the film on my list had not been available… Really.
Ami Hyuga (Minase Yashiro) is a typical high school student whose brother is killed by bullies with Yakuza and Ninja connections (yes really) In the process she looses has her arm cut off. She replaces it with a machine gun attachment and goes on a roaring rampage of revenge.
This movie didn’t do anything for me. I have read it has been meant as a parody of a lot of schlock b-rated Japanese grindhouse movies. I even have a few friends who like it as such. For me, however, this was mostly splatter porn and difficult to watch.
https://www.youtube.com/watch?v=BvtoaOXgPsU
I’ve been a fan of the Youtube channel History Buffs and have been pointed towards several good movies by it. Most recently I was pointed towards a new film about a great naval battle against incredible odds. From there I just had to do was watch films about great naval victories.
Anyway, the film that History Buffs recommended was Kim Han-min’s Admiral: Roaring Currents that tells the story of the Japanese Invasion of Korea and how they were finally defeated by the Korean Admiral Yi Sun-sin (played by the great Choi Min-sik ) in the Battle of Myeongnyang. The Korean forces have been nearly defeated and Yi’s small fleet of 12 ships is vastly outnumbered by the Japanese. But through a combination of discipline, knowledge of the waters of the Myeongnyang strait and mounted cannons, he wins in one of the greatest victories in naval history.
This was a really cool movie. It starts slow, getting started. Letting us know exactly what kind of odds the Korean forces are up against having lost most of their navy in previous battles. It occurs to me that a lot was left out in the backstory but I assume Yi Sun-sin is enough of a national Korean hero that a lot of his biography is taken for granted, like George Washington in any film about the revolutionary war.
The actual battle of Myeongnyang, which makes up nearly half of the film is truly spectacular making you really feel like you’re there. (Though while they looked pretty cool I didn’t see the point of the “fish eye” view shots)
A lot of this film reminded me quite a bit of John Woo’s Red Cliff, complete with ships catching fire (though in this case, it was just a set back)
Since I started with a great eastern naval victory, I figured I’d head back for a similar naval victory here in the west, and the best one I could think of was the Spanish Armada. Regrettably, there were not nearly as many films on the topic as I expected. I ended up with Shekhar Kapur’s sequel to his very successful film Elizabeth, Elizabeth: The Golden Age.
Elizabeth ( Cate Blanchett) is secure in her role as queen of England. However she is surrounded by conspiracy everywhere, led by the figurehead of her cousin, Mary Stuart, Queen of Scots(Samantha Morton), and in the background, Philip II of Spain is building a great armada of ships and is waiting for just the right excuse to use it to attack the protestant upstart.
This was a pretty fun film. Like Kapur’s first film it’s quite stylized and plays fast and loose with a lot of the history. (The biggest example was giving much of the deeds of Sir Francis Drake to Sir Walter Raleigh (Clive Owen)) The drama’s good with a good performance from Kate Blanchet. Even though it’s buildup to the Armada was the main point of the film, the climax of the Armada was pretty much an afterthought, with just enough flash to tell us it was impressive and that the English were very, very lucky.
For this weeks selection, I went back to one of my favorite genres, swashbuckling pirates, but decided to go way back with the vintage stuff. And when I say that I’m talking the real vintage stuff like the stuff that you only know about because it was mentioned in the Encyclopedia Britannica’s article about the history of Motion Pictures.
I’d read, or more accurately tried to read Rafael Sabatini,’s Captain Blood sometime in my early teens. At least tried to read it. I didn’t get much farther than the bit when Captain Blood becomes a pirate and made his oppressor walk the plank.
So while I was aware of Micheal Curtiz’s Captain Blood starring Errol Flynn I had never had enough an interest in it to track it down, despite being a fan of Flynn’s work.
Flynn plays Peter Blood an Irish Doctor working in England during the Monmouth Rebellion. He’s arrested for giving a rebel medical treatment and promptly transported to the West Indies as a slave. He eventually escapes and with his fellow slaves becomes the terror of the Caribbean, Captain Blood.
This was mostly a fun film. It’s mostly carried by Flynn’s charm. The rest of it is okay. There wasn’t quite as much action as I thought there would be, through the fight between Flynn and Basil Rathbone was pretty good.
For the most part, it felt like a lot of comic book movies where too much time is spent on the origin story and then the main plot is virtually an afterthought. (Even though this is an adaption of a book rather than the start of a franchise. )
For my second film was Albert Parker’s silent classic, The Black Pirate starring Douglas Fairbanks. This tells the story of a band of cutthroat pirates who have a habit of killing their victims so there won’t be any witnesses. In their latest venture, there are two survivors a young man and his father. When his father dies soon after the son vows revenge on the pirates. He does this by infiltrating the band as The Black Pirate and quickly taking over. Then biding his time while waiting for an opportunity to deal with. This opportunity soon comes when he persuades the pirates to hold the next ship they capture (including beautiful princess, played by Billie Dove, who the Black Pirate immediately falls in love with) for ransom rather than kill them outright.
I’m embarrassed to say I haven’t watched many silent films. Or more accurately silent films besides the comedy classics. So it’s a pleasure to see just how good many of them are. It had an incredibly large budget film with phenomenal stuntwork. (Most notably Fairbanks riding his dagger down a ship’s sail, cutting it in the process) It’s also one of the first color films with its technique giving it this wonderful pastel quality… All the better for Fairbanks to show off his thighs to the ladies as one of the few Hollywood action heroes, I’m aware of, to wear shorts for that purpose.
https://www.youtube.com/watch?v=MXb1QqmrRNc
https://www.youtube.com/watch?v=IkaaUuQwRZYMy parents have been doing a movie night with some friends in their neighborhood and based on what they were watching last week and a film I had put off watching for a very long time I decided to take another foray into food movies.
Having been a fan of Ang Lee’s work for some time, I’m kind of embarrassed that I had never seen the film that made him an international name, Eat Drink Man Woman. There really is no excuse for it. Along with knowing he had done it, there was an exhibit at the Seattle Asian Art Museum that played the opening kitchen scene in a loop.
Eat Drink Man Woman tells the story of Mr. Chu (played by Sihung Lung ) a semi-retired master chef who lives with his three adult daughters. Jia-Jen (Kuei-Mei Yang), Jia-Chen (Chien-lien Wu) and Jia-Ning (Yu-Wen Wang), Their relationship are slightly strained and the only thing that holds the family together are elaborate Sunday meals that Mr. Chu creates every week. These are described as a “torture chamber” as this is when important family matters are brought up and is not helped by the fact Chu’s sense of taste has been slowly deteriorating so these meals are not quite as good as they used to be. From here we watch how the live’s of Mr. Chu and his daughters change in love and sorrow.
While I don’t think I was really this film’s target audience I thought it was very good. You’ll laugh, you’ll cry and most importantly you’ll have a huge hankering for Taiwanese cuisine.
The next on my list and the film from my parents’ film night, Big Night, directed by Campbell Scott and Stanley Tucci, tells the story of two brothers, Primo (Tony Shalhoub) and Secondo (Tucci) two Italian immigrants who own a small restaurant in 1950s New Jersey. Business is not doing very well, mostly because they can’t compete with a nearby Italian restaurant owned by Pascal (played by Ian Holm) that specializes in what the average American thinks of when they think of Italian food (spaghetti and meatballs etc) and while Primo is an absolutely brilliant chef he is also completely uncompromising.
The brothers get as last chance to get some publicity by throwing one final meal on a night that they have been assured that the performer Louis Prima will come to their restaurant.
For the most part, my reaction to this film was “meh” but the good bits, with its all-star cast, are very good and the description of the food and the meal has you wishing that this restaurant was real so you could enjoy a night there yourself.
https://www.youtube.com/watch?v=IkaaUuQwRZY
