Well as many people may know Macintosh just brought out the latest flavor of their operating system Sierra. As a diligent and responsible user I didn’t wait to move up and start the instillation. Turns out I probably should have waited at least until the weekend.
I downloaded on both machines, though the laptop was ready first. Here was my first problem. I’ve had a loosing battle emptying a lot of useless garbage from my laptop that doesn’t help in it’s function as my mobile secondary office. The amount of space required to install the new system was considerably more than was available. I found myself spending the next hour in digital housecleaning. Finally after just a few false starts The laptop was done.
Forty five minutes later the software was ready for the main computer. Other than things going slower than I’d like… and a nerve-wracking point near the end where everything seemed to stop for just a little bit more than a half hour… everything went fine.
And then the fun started.
One thing I always forget when I’m doing this is my tablet stops working whenever these installations occur. This alway brings things to a grinding halt because I can’t move the curser to click on the “please continue” button. This means I have to search for the paperweight otherwise known as the mouse that came with the machine. After an aggravating fifteen minute search came step two. Since I only use the mouse about every other year for these occasions I need to replace it’s batteries and I was fresh out of double A’s. This meant I had to go to the nearby drugstore and get some.
So fifteen minutes later I had the mouse up and running again. So the main problem was done. Now all that’s left is replacing all of the plugins that Sierra has declared obsolete. I’ve taken care of the obvious ones but some of the less obvious ones keep sneaking up on me.
When I put the mandatory Lovecraft entries into my monster lists the first thing I ask myself is, does it need a footnote? Sure, most of us know Cthulhu and Nyarlathotep, but you have to be an expert to know anything else from the Mythos. Naturally I picked Deep ones. I was a little bit reluctant. I’ve done Deep Ones before, they even had a supporting role in one of the Christmas stories. But then I realized that all of those were Deep One Hybrids. If I stopped to think about it I’m not completely sure if I’ve ever drawn a real deep one.
So here we have one in it’s natural habitat.“ Dwelling amidst wonder and glory Cyclopean and many-columned Y’ha-nthlei. (in hindsight I should have read that passage before doing the drawing. Y’ha-nthelei looks more like hollowed out coral rather than anything cyclopean, and there’s definitely not enough columns.)
I was looking forward to doing the Bogeyman about as much as I was looking forward to the monster under the bed last year… So naturally I pulled it from the magic tupperware on the third day. (Rereading this I’m not sure if the sarcasm registers as much as I’d like, but with any luck the idea comes across.)
Anyway not sure what I wanted this Bogey to look like in ten minutes or quite figure out the angle of the closet before my morning coffee, I made it a point of view of the bogeyman coming out. And since I’d written the more popular “boogie man” on my list I threw in the hat. That way this Bogeyman was also a Boogie man.
A Rodent of Unusual Size lurks beneath the storm drain waiting for someone unsuspecting and slow.
Buttercup: We’ll never succeed. We may as well die here. Westley: No, no. We have already succeeded. I mean, what are the three terrors of the Fire Swamp? One, the flame spurt – no problem. There’s a popping sound preceding each; we can avoid that. Two, the lightning sand, which you were clever enough to discover what that looks like, so in the future we can avoid that too. Buttercup: Westley, what about the R.O.U.S.’s? Westley: Rodents Of Unusual Size? I don’t think they exist. [Immediately, an R.O.U.S. attacks him] Princess Bride – 1987
Ever since I saw that scene in Princess Bride, I’ve found Rodents of Unusual Size to be the best catch all way of describing this wonderful low budget easy to do monster.
I don’t believe I’m alone on this because I’ve seen R.O.U.S’s (I’m partial to R.I.C.E but I’ve yet to figure out what that stands for) show up by name in lots of games, films and books since then.
The original Hound of Hades looks down on the incoming shades of the dead.
Well October is finally here and we all know what that means, Inktober! This year I’ve fine tuned my rules for this. So along with only using 10 point markers, I’m also limiting the size of the drawing to five by eight.
So anyway I am stoked! I have been working on my Halloween monster list for months and I put all of the names into the magic tupperware and we’re ready.
So today I just shook the tupperware and the first name that I drew was… Cerberus!
Cerberus (which I keep mistyping as Cerebus) Is one of the parts of Greek Mythology that just about everyone knows about everyone knows about. Because of this he’s been a bit watered down by pop culture, rom being cameoing in Harry Potter, under the name Fluffy, to getting his ears scratched by Hades, while Hades tells Harry Dresden that Cerberus is greek for Spot in Skin Game(technically accurate though other theories include flesh devourer and evil of the pit) and finally a bull dog version shows up in My Little Pony: Friendship is Magic where he is easily distracted by belly rubs and rubber balls. Obviously We needed to get him back to his roots for a decent halloween monster sketch.
So here he’s looking down at the shades of the dead on their way to Hades, making absolutely sure that this is their only option.
Well I let my enthusiasm get the better of me and I started my Halloween viewing early (at first I felt a little guilty about it but then I figured we start on Christmas before the Thanksgiving turkey has a chance to cool, I figured why worry about it.)
For this week I chose the theme of “Less is More” that is to say that the horror films that get the big scares by suggesting the monsters rather than showing them (or at least not showing them that much) and letting the viewer’s imagination do the rest.
The first film on my list Night of The Demon(Marketed as Curse of the Demon in the states with at least fifteen minutes cut out) tells the story of a professional skeptic Dr. John Holden played by Dana Andrews investigating a satanic cult led by Dr. Julian Karswell played by Niall MacGinnis. He retaliates by placing magic runes on Holden’s person which summon a demon to kill him on a chosen night.
Regrettably, due to studio pressures, we do see the Demon in the beginning and end of the film. Make no mistake, it is a remarkably impressive puppet for the 1950s. But it’s really unnecessary and everything else in the film makes the reality of the Demon questionable at best. Yes the Demon kills one of Holden’s colleagues but the man could have just as easily been electrocuted when his car crashed into an electrical pole, similarly, when Karswell meets his end after Holden manages to trick him into taking the runic script back, he could have just as easily been hit by a train. In fact, I would be interested to see a fan cut where the Demon closeups are removed.
The rest of the film is great Niall McGinnis is fantastic as Karswell and the rest of the effects in the film are much more subtle… (with the exception of a scene where Karswell’s cat turns into a leopard and we have two minutes of Holden wrestling a stuffed animal. Monty Python did it better.
The next on my list was Robert West’s The Haunting. Ain this adaptation of the 1959 novel The Haunting of Hill House by Shirley Jackson, West takes the old chestnut of ghost hunters investigating a haunted mansion and turns it into high art. “Anthropologist” Dr. John Markway (played by Richard Johnson) recruits a supposed psychic Theo (played by Claire Bloom) and the shy Nell (played by Julie Harris) who apparently experienced poltergeists as a child to help him investigate the alleged hauntings of the notorious Hill House. Completing the team is the skeptical Luke (Russ Tamblyn)who is the heir to the house’s owner, (and was drafted to keep an eye on the rest of them).
From there, things get REALLY spooky.
This has quickly become my favorite West film (and considering his resume includes West Side Story and The Day the Earth Stood Still, that’s saying something. )
All of the scary stuff is done by sound editing camera angles and of course brilliant performances by a great ensemble cast who could have you believing they are experiencing this if they were in a fully lit room let alone Hill house. In fact, the only overt visual effect I noticed was a rubber door near the end (no I don’t know if it was actually rubber but the prop department definitely didn’t make it out of wood! )
Back to the cast, this is the best part. This film is very much Nell’s story and we share her insecurities as she narrates the story in a frantic stream of thought (or is it the ghosts messing with her?) But just as interesting is the relationship between Nell and Theo. There are no secrets made about Theo’s sexuality. It fluctuates between her cruelly taunting the sheltered woman-child to acting like a comforting big sister… and then when the noises start they’re in each other’s arms desperately seeking some form of comfort in this terrifying situation. (Quite frankly I kept being reminded of Ingmar Bergman’sPersona.)