Today’s rhyme, The Tailor’s Courtship, had me stumped until I figured all it was was the tailor’s fantasy of his love and nothing more. It was amusing that the narrator is describing everything in terms of his profession.
After that the only thing I had trouble with is wondering what the writer meant by a “roguish smile” I mean… I know what I mean by a roguish smile but it’s not a word that I’d put in a list describing romantic perfection.
I pretty much went with the annotation for my approach to today’s rhyme “Hey ding, a ding, what shall I sing?” because taking it straight made no sense at all.
Apparently it refers to traveling singers performing for a meal… makes a lot more sense then my original image of a cranky child sitting at the kitchen table.
Today’s rhyme “If You’ve a Mole Above Your Chin” is another one that seems to lead itself to very quick cartoons… otherwise you have nothing to work with… After that the only difficult part of this sketch was trying to figure out exactly where above one’s chin would be.
It’s depressing In past challenges I’d be crowing about successfully finishing another sketch challenge… unfortunately this is the first one where I decided to try for two months. Still half way through.
Well here’s the last of the this year’s Folklife sketches. It all went pretty well though by the end of the day it was getting a little too crowded for me to stay in my zone… fortunately the brass bands snapped me out of early burn out.
Growing up I was fascinated by magic and read a lot of books on the subject and while I never really took it up as anything interesting sideline I came out of it knowing quite a bit about the history of magic, biographies of the most famous magicians and the mechanics of a lot the more basic tricks.. So doing Magicians as my theme was very attractive choice.
My first film The Illusionist (not to be mistaken for the earlier live action film) is a wonderful lyrical animated film by Sylvain Chomet, creator of the Triplets of Belleville based on an old script by French filmmaker Jacques Tati.
It takes place in the fifties and tells the story of an aging magician named Tatischeff whose career is slowly dying due to traditional variety shows being replaced by popular rock bands. As his audience shrinks he travels to Scotland where he meets a you barmaid who is enamored by his magic tricks which she believes is real. What continues is a quiet but lyrical relationship as the two move to Edinburgh as Tatischeff tries to make what is left of a living as well as preserving the girl’s innocence.
This film is beautiful, the attention to detail and design is amazing as it tells the story of the end of an era with subtly and quiet dignity.
As each tries to one up the other things go from petty one up manship grows to dangerous obsession..
I’m not sure what I think of this film. Make no mistake it’s very good, Nolan’s work is always good but whether I actually like one of his films is frequently fifty odds. No mistake it’s gorgeous and awesome and I loved the twist in the end but many of the elements of the film mostly the way the narrative wasn’t in chronological order, I could never get into it.
I’ll post my final batch of folklife sketches in a bit but I had to show this one by itself because I was really psyched while doing it. The band performing Chaotic Noise Marching Corps had a great anarchic energy that really blew me away. It reminded me of one of the strips that started Bloom County’sDeathtongue storyline where Opus first show up with his sousaphone and claims that he plays “weighty brass” these guys made it clear that such a thing was real.
They’ll be at the HONK! Fest West festival this solstice. Can’t wait to check it out.
