From this week’s storyline, Rowan and Tara go jogging.
I could tell you what Tara’s t-shirt says, but then I’d get hate mail. Tara has that kind of sense of humor.

From this week’s storyline, Rowan and Tara go jogging.
I could tell you what Tara’s t-shirt says, but then I’d get hate mail. Tara has that kind of sense of humor.
In honor of today’s comic strip here’s a quick picture of Paul and Nancy holding hands.
This week I finally got around to watching another series of classics that, for assorted reasons, I’ve never gotten too. In this case, Bing Crosby and Bob Hope’s The Road To series. For years, I’ve mostly seen films that were either inspired by or parodied by this series. My personal favorite being DreamWorks’ Road to El Dorado. As a fan of both Crosby, Hope, and of course, Dorothy Lamour, I can’t deny that I hadn’t been curious. (Most of the time my reasoning was… OK, my excuse!) Was that I didn’t know which one to start from. When I finally had some good suggestions to work with. But when I finally made my choices, I discovered that Scarecrow Video had a collection of the first four which included my picks thus making it a moot point.
Keep in mind these films don’t have any new continuity. Because of this, I’m not gonna bother saying Crosby and Hope play since they may play different characters, for the most part, these characters are all the same people.
Our first film, Victor Schertzinger’s Road to Singapore has our pair as merchant Marines. Crosby is the son of the shipping company, who wants him to settle down in the office and get married. To avoid this the two hightail it to Singapore. However, they only get as far as the island of Kaigoon before they run out of money. They rescue a dancer (Dorothy Lamour) from her abusive dance partner. They end up having a pleasant living situation and both of them falling in love with the dancer.
But this tropical paradise can’t last forever because Bing‘s in-laws are tracking him down not to mention Dorothy‘s former partner.
In the next film, The Road to Zanzibar (directed again by Schertzinger) Bing and Bob are a pair of circus carnies who after failing at a string of stunts go wrong. Before they can return to the states, Crosby spends all of their money on the deed to a lost diamond mine. Soon later they find themselves in an expedition to claim it accompanied by Lamour.
In the next film, The Road to Morocco Hope and Crosby are shipwrecked after Hope smokes in the powder room. After enough time on a raft to contemplate cannibalism, they find themselves on the coast of a fantasy version of Morrocco. Still broke, Crosby sells Hope into slavery. He feels guilty about soon enough, but when he goes to rescue Hope he finds him engaged to and pampered by a beautiful princess (Lamour) It turns out she had arranged it so that Hope would be killed as a prophecy predicted so she can safely marry her prince. She gradually falls for Crosby but they still have to escape from the prince.
Finally the last on my list Hal Walker’s Road to Utopia, the boys head north to the Klondike, having obtained a map for a goldmine from a pair of criminals who attack them. They arrive in Alaska disguised as the criminals. However, the Criminals are close behind them as is the daughter of the man they killed to get the map from.
All in all, I found to be these movies sadly formulaic. They had some good routines, songs and Crosby and Hope have great chemistry. I just wish there was a better movie for them to use it in.
For the most part, I think the best of the four was The Road to Morocco… provided you don’t think too much about what a Bactrian Camel is doing in northern Africa.
I know, I know, I’ve done Rhapsody in Blue by Gershwin before. But I was looking for a safe version of it for a Youtube trailer I’ve been working on and I stumbled over the original 1927 recording.
What amazed me about it was how subtly different, it was from all of the modern versions. I don’t know if was the timbre of the clarinet, or one of those technicians vs artists things, but it came off like it’s own unique piece… and I like it.
You’d think after doing serial killers last week I’d get as far away from the topic as possible until Halloween. Instead, I double down watching films about how the media hypes serial killers.
The first film on my list Oliver Stone’s Natural Born Killers tells the story of Micky and Mallory Knox ( Woody Harrelson and Juliette Lewis) a pair of psychopaths on a killing spree. In the process, they become media icons, propped up by tabloid journalist Wayne Gale (Robert Downey Jr.) while hunted by corrupt celebrity detective Jack Scagnetti (Tom Sizemore). If you think that’s bad imagine what happens when they actually catch them.
Natural Born Killers was one of those films that are better known for the controversy than the film itself. Frankly, I think I think it’s overrated. It’s pretty much an excuse for Stone to do just about every heavy-handed, He goes back and forth between color and black and white and whatever else in between. At first one would think he’s playing with the perceptions of insanity vs the real world but it’s inconsistent. He does other things throughout the film but ultimately it’s just one big mess.
My next film, Man Bites Dog (French: C’est arrivé près de chez vous, literally “It Happened Near Your Home”) written, produced and directed by Rémy Belvaux, André Bonzel and Benoît Poelvoorde take this even farther with a film crew following the serial killer, Ben (Benoît Poelvoorde). Ben takes the crew through his day as he murders people while telling them the tricks in the trade and his views of life. Gradually the crew is drawn in.
This was funny at times, in a dark cynical way, but ultimately disappointing.
The arrival of the Karstarks game a little bit of a headache. The scene is actually taking place in Maester Luwin’s tower with Bran watching in his telescope. So ideally I should have that as a picture. However, I’d already done a picture of the interior of Luwin’s tower, and I couldn’t think of how to show any of what Bran is looking at through the window. Besides, Bran is in his basket at the moment and I wanted to save him some dignity for now.
I was hoping to show the scale of Robb showing the banners but ultimately I thought it was easier just showing the Karstarks. I rather like how Rickard Karstark turned out. He looks driven and obsessive, a potential thorn in Robb’s side even before things go south. (unintentional pun realized just as I typed it.)