A very happy 91st Birthday to
This week my selection was based on the career of that master criminal, Robert De Niro… Okay, you found me out I was watching heist films starring Robert De Niro as a master criminal.

The first film on my list, Frank Oz’s, The Score features De Niro as Nick Wells a Montreal Nightclub owner by night and safecracker by… okay also by night… The metaphor doesn’t work as well as I’d like.
Anyway, Nick is a career burglar and safecracker who, after twenty plus years in the business, and nearly getting caught in his last job, wants out. His fence, Max (Marlon Brando) has a job to steal a priceless French golden scepter from the most impregnable building in Montreal. His inside man, the arrogant but extremely competent Jack Teller(Edward Norton) has a difficult but surefire plan. It’s an offer that Nick can’t
I really liked this film. In my ongoing Art vs Craft argument regarding
Along with Oz’s directing chops you have three generations of great actors in Brando, De Niro,

The next film on my list, Micheal Mann’s Heat, features De Niro as Neil McCauley the leader of a hardcore crew of professional criminals. Neil is a consummate but ruthless professional who’s first and only rule is “in your life that you cannot walk out on in thirty seconds flat if you spot the heat around the corner.” After their last heist ended in the murder of three bank guards, they become the target of LAPD Major Crimes Unit Lieutenant Vincent Hanna (Al Pacino) In a string of cat and mouse games who will win?
Sometimes when I’m watching these films I think of how these films, in hindsight, would have gone much better with a different film as a double feature… In this case, I think Heat would have gone perfectly with the Martin Scorsese’s The Departed. Both of these films focus on the almost dualistic nature of the hunter versus the hunted and how each is a skewed reflection of the other.
This is another film where everyone is on the top of their game. Obviously, De Niro and Pacino are at the top of their game, but the rest of the cast
The action scenes are wonderfully choreographed with brutal realism. In fact, if I have any problem with this film, it’s that it’s juggling too many plots to fit in the film’s three-hour time frame.
But still, that’s like complaining that the problem with Mozart’s music is there are too many notes, right?
A very happy one hundred and twentieth birthday to Mr. Duke Ellington! Let’s celebrate by listening to him tickle the ivories with “Solitude“
We care decided to do something different and watch films based on one of the classics of Western Literature, Giovanni Boccaccio’s Decameron.
Like Canturbury tales, written about the same time, the Decameron is a collection of stories of all sorts. (Though they lean towards the bawdy) The main difference is rather than being a group of pilgrims’ its a group of upper-class Florentines staying in an abandoned country villa waiting out the plague. I thought this would make for lots of good material for directors. A word of warning, I haven’t read the Decameron since college and what I remember is mainly from Boccaccio is reporting on the bubonic plague‘s impact on Florence from my reading of the 14th centurey and The only story I remembered reading was the extremely raunchy tale of the friar who seduced a maid by having her “put the devil in hell.“


The next film, Paolo and Vittorio Taviani’s Wondrous Boccaccio the framing device it is the whole point of the movie, going into great detail how the world was dying in the storytellers barely escaped of their lives.
Once they get to the estate the stories almost seem like a distraction with the young characters having quite a good time frolicking. Most of the story selected seem to lean toward more towards the romantic and the other film my favorite is the one about the Abbess who was summoned to discipline a nun who was caught with her lover. The Abbess was so distracted hiding her own lover she put her his longjohns on her head instead of her veil.
This week I decided to watch movies about wine and wine appreciation.
Personally I like good wine, though I admit I have a lousy palette. Because of this, my snobbery rarely goes beyond trying to avoid any wine that is less than two years old. My wine purchase consists of occasionally buying a bottle of Three Buck Chuck‘s. Something that would have all of the characters in the movies I watch this week denouncing me as a complete poseur.

The first movie on my list Randall Miller’s Bottle Shock tells the mostly true story of the rise of California wine growing in the Napa Valley. We focus on Jim Barrett (Bill Pullman) of Chateau Montelena. The business has been going badly and Jim has just taken out a third loan. To make matters worse he’s frustrated that his son Bo (Chris Pine) does not appear to be taking an interest in the business. Meanwhile, in France, English Wine Seller, Steven Spurrier (Alan Rickman) needs something to invigorate his business and decides to investigate California wines for a blind taste contest. In the process, Chateau Montelena attracts his attention as the best contestant. Can California wines compete with the French giant?.
I enjoyed this film a lot. It had quite a few good performances and it captured some thing that I always look for where a pure love and appreciation 0f the wine tops elitist snobbery.

The next film on my list Alexander Payne’s Sideways tells the story of best friends, Miles and Jack. (Paul Giamatti and Thomas Haden Church) Jack’s getting married in a week so Miles takes him on a trip to California wine country for a week of wine tasting, golf the perfect pinot. (Also Jack wants to get laid one last time before he gets married.) The week starts well with our duo hooking up with two amazing woman Mara and Stephanie (Virginia Madsen and Sandra Oh) but as the week continues things begin to slowly fall apart.
I have mixed feelings about this one. It certainly a good film with wonderful performances (Paul Giamatti is one of my favorite character actors for a reason) But I just couldn’t get into it. Perhaps it’s because several critics I respect liked it so much I was expecting something brilliant, or perhaps having lived it, I have trouble finding humor in depression and anxiety. Either way, it’s worth checking out just be aware you might not be its target audience.

Good news everybody. After being indecisive for far too long I’ve finally set up a Patreon Account! It’s still a work in progress and I’ll be adding more benefits soon.
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