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Wednesday Double Feature – Celestial Trial

by wpmorse on February 27, 2019 at 8:05 pm
Posted In: Test

For this week’s theme I chose something I think I’ll call celestial trials… that is to say court cases in the afterlife.

Wednesday Double Feature - Celestial Trial - A Matter of Life and Death

The first film on the list, Micheal Powell’s, A Matter of Life And Death, better known as, much to the consternation of star David Niven, Stairway to Heaven.

Niven plays RAF squadron leader Peter Carter. On May 2, 1945, his bomber is about to crash and in a desperation move, since it beats being killed in the crash, plans to jump out of the plane without a parachute. Before he does this, he contacts headquarters where he talks to June an American Radio Operator from Boston (Kim Hunter). During their conversation, they fall in love. 

Meanwhile, in a waiting room to the afterlife, Peter’s fellow airmen are waiting for him. It turns out due to the fog the angel on duty, Conductor 71 (Marius Goring) missed him. Soon after Peter washes ashore amazed to be alive. He meets June in person soon after, and their romance blossoms. 

When the Conductor 71 arrives to take him to the afterlife he demands an appeal. So now he must defend his life so that he can spend the rest of his life with his true love.

This film is amazing in every way. The visual style is amazing done like the Wizard of Oz, only in reverse, with the afterlife in black and white and the real world in amazing technicolor. The practical effects are nearly as good. The best being a huge escalator and a long zoom where the celestial court is revealed to be a spiral galaxy.

My favorite part about this however, is it’s probably the best handling of skepticism in a fantasy film I’ve ever seen. For most of the film it’s never completely clear whether Peter is talking to ghosts, or is hallucinating from a head injury. Neither is it clear whether his doctor, (Roger Livesey ) believes him beyond recognizing symptoms of a potentially deadly head injury (at least not until he is killed in an accident and is made Peter’s defense council) but he believes it’s vital for Peter’s recovery to hold onto the metaphor.

Wednesday Double Feature - Celestial Trial - Defending Your Life

In the next film on my list, Albert Brooks, Defending Your Life, Brooks plays Daniel Miller an advertising executive who dies when he crashes the car he just bought for his 35th birthday crashes into a bus. 

He finds himself in Judgement City, a place where the newly deceased are judged to see if they are ready for the next step in their existence, or sent back to earth. However, in the process he meets, the almost too good to be true, Julia (Meryl Streep) and immediately falls in love with her. Now it’s not just about what happens to him. It’s a matter of staying with Julia, who’s transcendence is almost a given. 

This film was… okay. There were plenty of funny bits but for the most part, it didn’t grab me. The new age scenario including the rules of reincarnation and the old chestnut of only using 90% of your brain doesn’t really hold up. Things seem to be biased even before the trial begins, with normal Daniel getting a relatively cheap hotel, whereas saintly Julia gets pampered at a place that puts the Ritz to shame.

Not to mention the way the “residents” of Judgement City behave you can’t help wondering if it’s all worth it. Finally, since the dead are not being judged on having a moral life but how they dealt with fear, one can’t help wondering if the system is biased towards sociopaths.

└ Tags: Afterlife, Movie Reviews
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Wednesday Double Feature – Graham Greene

by wpmorse on February 20, 2019 at 9:11 am
Posted In: Test

This week I watched films based on Graham Greene novels. I’ve always had mixed feelings about Graham Greene as an author. Make no mistake, he’s very good, but he tends to be a little too cynical even by my snarky standards, and also… I feel like a hypocrite saying this, but there are times where I have issues with his criticism of American policy. It’s not that I don’t agree with him or not, or think such criticism is undeserved, it’s just that he has a way of twisting the knife in such a way I briefly turn into a flag-waving jingoist even when I agree with him. It’s still good stuff so let’s get on with it.

The first film on my list, Carol Reed’s The Third Man tells the story of Holly Martins ( Joseph Cotten) a hack writer who has excepted an invitation from his good friend Harry Lime (Orson Welles) to come to Vienna for a job. Postwar Vienna is currently controlled by five countries, with five different police forces. It’s just as insane as it sounds, and because of that corruption runs rampant with nearly all of the economy coming from the black market. When Holly arrives at Harry’s apartment he finds out that Harry was killed in an accident just hours before. 

Later, at Harry’s funeral a British official, Major Calloway (Trevor Howard), tells him that Harry was a notorious black marketer and probably was murdered. Calloway gives Holly a plane ticket and advises  him to go home.

Despite Calloway’s warning, Holly goes on the quest in a city he does not understand or speak the language to find out who killed his friend and to clear his good name. However, nothing is as it appears. 

Technically third man is not an adaptation of Greene’s novel. Like Arthur C. Clarke’s later 2001 he wrote the prose version as a starting off point for his script and the novel came out a couple of years later.

 I won’t allow a technicality me to take away a reason to watch one of the great film classics. This is almost a perfect film. Carol Reed does an amazing job with his plotting and camera use. Vienna is so amazing it’s almost a Character onto itself one, one that you cannot believe is real and not something brilliant set designers created from their imagination. Also Welles steals the show as Harry Lime with barely 8 minutes of screen time. 

The next film on my list but human factor tells the story of Maurice Castle (Nicol Williamson) a career company man in British Intelligence . He lives a boring routine nine to five job working the Africa desk, commuting to his country flat where he lives with his African wife Sarah (Iman), and son, Sam, and reading novels… that he always buys two of. At work there is a security crackdown. Management has found evidence of a mole. They have decided to locate the traitor and dispose of him. The obvious candidate is Maurice’s coworker, Arthur Davis (Derek Jacobi) a fun loving playboy. The problem is Arthur isn’t the traitor… Maurice is.

I was looking forward to watching this one. It had an all-star cast with Otto Preminger behind the camera and a script by Tom Stoppard and Richard Attenborough, Derek Jacobi, John Gielgud and of course Nicol Williamson in the cast what could go wrong?

Regrettably, I found it slow paced and dry as toast and something that felt like a made for television drama. It’s also as cynical and depressing as anything by Greene I’ve encountered yet… I’m afraid I was not it’s target audience. 

└ Tags: Film Noir, Movie Reviews
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A Valentine to Celebrate The Wedding of Mr. Large Hideous Bull Creature and Ms. Intimidating Cow Monster

by wpmorse on February 14, 2019 at 8:49 am
Posted In: Rhapsodies

Despite all of Ms. Intimidating Cow Monster’s concerns, the wedding went without a hitch (now all everybody has to do is survive the party! So here’s a nice little watercolor valentine to celebrate our newlyweds!

A Rhapsodies Valentine to honor the marriage of Mr. Large Hideous Bull Creature and Ms. Intimidating Cow Monster!
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Wednesday Double Feature – Musical Cinderella Films

by wpmorse on February 13, 2019 at 9:33 am
Posted In: Test

This week’s selection I’m calling musical Cinderella films. That is to say musical takes on the Cinderella story. (I was planning on calling it Cinderella musicals but one of them was dance numbers rather than singing.)

My first film Jacques Demy’s Donkey Skin (Peau d’Âne) tells the story of a Princess of a magical kingdom,(Catherine Deneuve), where all of the servants have blue skin and the kingdom’s source of revenue is a magical donkey that defecates riches. 

When his wife dies, the princess’s father the king vows to marry the first beautiful woman he sees. Regrettably, this is the princess. On her fairy god mother’s she tries to avoid the incest by stalling as best she can by asking her father for impossible gifts. Unfortunately, he manages to provide each item. When her final gambit, for him to give him the skin of his magic donkey, fails she runs away wearing the donkey skin as a disguise. 

For all my fellow folklore wonks out there, I admit that Donkey Skin is not actually a Cinderella story. It’s actually is a closely related motif that includes such stories as Cap O’ Rushes and All-Kinds-of-Fur. However, as far as films are concerned, it works. 

If I had known about this film earlier I would have watched this with  Jean Cocteau’s La Belle et la Bête. It takes a similar approach embracing the fairy tail surrealism and being deliberately theatrical. The songs are nice, but not good enough to be the reason to see the film.

I found myself being fascinated by what were probably simple practical affects but I was completely stumped how they did them. The best example was when the princess was wearing her dress with the color of “good weather” which shows moving clouds. I assume the clouds are projected onto the dress, but at the moment I’m not sure with 70s tech why the projection wouldn’t show on anything else. 

My next film, Charles Walters’s The Glass Slipper, as our very sarcastic narrator tells us, is the story of a cute orphan (Leslie Caron) who lives with her step-mother and step-sisters working as a scullery maid. Because her work makes her dirty she’s called Cinderella and… well… you get the idea. 

The Glass Slipper is a mostly straight take on the Cinderella story, though it has a lot of fun with it and tries to take place in a mostly real 1950s Europe. As a bit of a bit of a pedant, I have a hard time calling this a musical even though that’s the section Scarecrow put it. None of the musical numbers are songs, they’re all ballet fantasies. But they’re very pretty to watch so who cares?

 The best parts of it are Leslie Caron who is almost cat-like in her performance, and Estelle Winwood as the very eccentric Mrs. Toquet who fills the fairy godmother niche (and at the very end is revealed to actually be the fairy godmother)

└ Tags: Cinderella, Movie Reviews
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Happy Darwin Lincoln Day!

by wpmorse on February 12, 2019 at 8:19 am
Posted In: Art

A quick-ish cartoon to celebrate our two favorite birthday boys, Mr. Charles Darwin, and Mr. Abraham Lincoln!

A very happy 210th Birthday to Mr. Charles Darwin and Abraham Lincoln!
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Wednesday Double Feature – Neo-Noir

by wpmorse on February 6, 2019 at 8:57 am
Posted In: Test

For this week’s selection, I went with neo-noir… a genre that, along with being simply modern takes on the Film Noir genre, deconstructs many of Film Noir’s traditional elements, focussing more on social and psychological aspects.

Wednesday Double Feature - Neo-Noir - Chinatown

THe main reason for this selection was one of the biggest items on my “what do you mean you never saw it?” list, Roman Polanski’s Chinatown. 

Jack Nicholson plays J.J. “Jake” Gittes a successful private investigator specializing in uncovering adultery. His latest client is Evelyn Mulwray, (Diane Ladd), the wife of Hollis Mulwray, chief engineer for the Los Angeles Department of Water and Power believes her husband is having an affair and wants Jake to follow him. The case goes pretty routine with Jake and his associates not getting that much luck. However a couple of days the real Mrs. Mulwray (Faye Dunaway)  shows up to tell him his employer is an imposter. Soon after that the Hollis Mulwray shows up dead. Against his better judgement Jake just can’t let the case go the deeper into it he gets.

It’s hard to be a Polanski fan, since he’s one of the most notorious examples of the difficulty of separating the creation from the creator. But his craft excels in this film, providing everything you need to know methodically provided through Jake’s point of view. 

As for Jake, this is one of Nicolson’s best performances and serves as a brutal deconstruction of the hard-boiled detective genre. Jake may talk a good game, but in the end he’s small fry who gets beaten up even more than Phillip Marlowe. 

(On a quick note, this film has nothing to do with LA’s Chinatown it’s just a reference to Jake’s experience working that beat when he was in the police and all of the senseless corruption he dealt with there. )

Wednesday Double Feature - Neo-Noir - Hammett

In the next film on my list, Wim Wenders, Hammett, Frederic Forrest , plays a fictionalized version of Dashiel Hammet. .He lives a relatively secluded life in a cheap apartment, drinks and smokes too much which leaves him with a nasty recurring cough.

Right after finishing his latest  short story, he runs into Jimmy Ryan,Peter Boyle, an associate from his Pinkerton days and agrees to help him. However the two are separated in the middle of chinatown and Hammett has to brush off his detective skills to  find him… To make matters worse he lost his manuscript in the process. 

This was an enjoyable film which did a nice job of recreating the period. While I have a sneaking suspicion Wenders was phoning it in just a little bit, since we’re talking about the guy who did Wings of Desire that’s not necessarily a bad thing. I especially liked how the narrative went back and forth between Hammett’s reality and that the fiction he is righting. It is much simpler both in the characters’ dialogue and the set with a muted color palette with the faint noise of a typewriter in the background.

└ Tags: Movie Trailers
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