Rhapsodies

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Snow in Seattle

by wpmorse on November 21, 2010 at 1:31 pm
Posted In: Test

Well something resembling winter is upon us in Seattle. They say we’re going to have a real one this year, but every time I assume that we will have a real winter in Seattle it ends up lasting for only a couple of weeks.

Anyway, it certainly is cold right now. Cold enough that I thought it better to walk than bike this morning. (Though I’ll probably reassess that on once I figure out where I put my ear protectors. ) At the moment it’s still above freezing though I don’t think that will last much longer. They say it’s going to snow tomorrow (they being the weather service on Igoogle) and as I’m writing this, flurries have just started.

This has me nervous. Even after living out here for over fifteen years my biggest cause of culture shock is how Seattle handles snow. The last snowstorm crippled the city for over a week (it only snowed a little more than a day.) Even a dusting of snow, like those flurries of powder snow that is just enough to turn the asphalt grey, slows the traffic down to a ridiculous crawl. As a transplanted Yankee, I take pride in my ability to drive in snow… but it doesn’t do a wit of good if nobody else does.

To spell this out, let me describe a work related accident I had a couple of years ago… I was working for a mail delivery service. As I was doing my daily rounds the snow started coming down. Now I new my route was going to take me to the relatively steep First Hill in about an hour and this was when I made my northeastern mistake. The mistake, or more accurately assumption was as follows: “Oh, Boren is a busy street, it won’t stick.”

If Boren had been in Providence Rhode Island, I would have been correct. However, as Boren is in Seattle, this normally busy street had slowed down enough for it to cool and the snow to stick. By the time I had reached it the hill I was most concerned about, the one right before Pike Street, there was about a quarter inch of snow on the road and I found myself drifting into the sidewalk… which would have been fine if the pick up in front of me hadn’t done the exact same thing. For the next hour as we waited for our bosses and the police to show up, we watched the same accident repeat itself over and over again. Finally as an act of good samaritanism and a way to fight boredom we stood at the top of the hill, flagging people down so they wouldn’t make the same mistake.

My point is Seattleites just can’t handle the stuff. We don’t get it enough to even know how to handle the basics, like having the right amount of snow on the road, or even putting down sand. If we have more than one storm and a couple of flurries, it is going to be a very interesting couple of months.

└ Tags: Seattle, Snow, Winter
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Friday Museum Sketches

by wpmorse on November 19, 2010 at 2:15 pm
Posted In: Art

This week’s sketch is from the Rhode Island School Of Design’s Museum in Providence Rhode Island. The Salonn d’Or Hornburg by Willliam Powell Frith. You can see what it’s actually supposed to look like here.

└ Tags: Painting, RISD, Sketches
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MegaMind

by wpmorse on November 15, 2010 at 9:44 am
Posted In: Test

Much as I love the genre, I have two big problems with superheroes.
The first is that as a genre it is fragile, like a soap bubble.  If
you look at it too closely; say by asking questions regarding the
existence of powers, the ethics of vigilantism, how the existence of
even one such individual would impact civilization as we know it, how
ordinary law enforcement can be so useless; the bubble pops.  The only
way to truly make it work is to embrace it as the fantasy it is, and
even then it is a strain.

The other problem is, I believe, the superhero genre is suffering the
same fate that the western suffered in the sixties.  It’s grown stale,
we keep trying to shake it up in different ways – be it revisionism,
deconstructionism, postmodernism – in the end it’s no use… even the
jokes, when we do a parody, are cliché.  This brings us to
DreamWorks’s latest animated feature: Megamind.

It must be hard to do a super hero movie these days.  I’m not talking
about the obvious problems with special effects convincing us such a
world exists, modern technology has that covered.  It is because
Hollywood is trying to sell it to as large an audience as possible;
most of whom are not familiar with it, while the core audience, comic
book fans, have heard it all before.  Unfortunately, this is the
weight that Megamind must bear.

To a certain extent, the main plot is actually about the problems I
have mentioned.  The main characters seem to know they’re in a rut to
the point where they just aren’t trying.  The damsel in distress has
been captured so many times that she isn’t impressed by any of the
villain’s threats, and when the paradigm changes nobody knows what to
do.  So, all in all, the plot of MegaMind is all about what happens
next.  The main character, wonderfully voiced by Will Ferrell, doesn’t
have a clue.  After his first victory he goes on a childish binge of
relatively petty mayhem and larceny, but at the end of the day he’s
sitting alone with his loot and missing the old days.

What happens over the rest of the movie is Megamind trying to fill
that void, which leads to him making the mistake of trying to recreate
the old days, all of which snowballs and brings us to the exciting
climax.  For the most part I enjoyed Megamind (other than 3-D induced
eyestrain).  It has good design and model work (my only real problem
was all of the eyes were too reflective, as if they were made of
glass).

The animation is up to DreamWorks usual standards.  The action scenes
were well choreographed and followed DreamWorks’ current formula, as
seen in its recent comedies, of being done completely straight.  All
in all I’ll put this one at the same level as “Monsters vs. Aliens”; a
solid journeyman piece, and yet another step in DreamWorks’ recovery
from its earlier model of star-driven pop-reference-dependent formula
pieces.

└ Tags: Dreamworks, Film, Megamind, Reviews, Superheroes
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Friday Museum Sketches

by wpmorse on November 12, 2010 at 7:27 am
Posted In: Art

One of my favorite exercises and pastimes is to take my sketch book to an art museum. This has several uses. The most obvious being the exercise of drawing, drawing and drawing some more. The second is that it forces you to hyper focus on the image you’re working on and in the process really looking at it and in the process taking in everything about it.

Today’s sketches are,  of a piece that I have mentioned before, from the Seattle Art Museum, a wooden carving of St. Luke the Evangelist from Flanders sometime in the fifteenth century. This is a difficult piece to work on. It is clearly intended to be looked up at from a distance and because of that it is done in an extremely forced perspective and because of this I’m really yet to get it right. I give it a try about twice a year and have almost a love hate relationship with it. Also it amuses me that Luke’s symbol, the Bull, looks almost like some sort of bizarre house pet hiding beneath the writing desk.

The two sketches here include my my most recent attempt along with  one of my more successful ones.

└ Tags: Art, Flanders, Seattle Art Museum, Sketches, St. Luke, Wood Carving
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Pioneer Square Art walk

by wpmorse on November 7, 2010 at 2:25 pm
Posted In: Test

Well this weekend I finally renewed my membership for the Seattle Art Museum. I’d been putting it off for various reasons, such as going through one of my stingy periods, memorizing the exhibits and general procrastination.

Anyway, the main reason I’d finally made my move and got on with it was doing the Pioneer Square Art walk for the first time. I’ve been to other art walks in the city and frequently find them to be one of the closest things to a social life I have these days. I’d been invited to two events that evening. The first being a show by Michael and Jamie Foster at the OK Hotel (Michael’s a fellow cartoonist responsible for Larry’s Café) and a show by Marvin Oliver a noted native artist at the Stonington Gallery.

It also occurred to me that it was free Thursday at SAM and it had been a while since I had gotten my “pushups” in. So I headed I headed downtown.

I arrived about three o’clock with the intent of drawing for as long as I could and then go to the shows afterwards. It had been a while since I had been on First Avenue on a Thursday evening. Working in a home office runs the risk of turning you into a bit of a shut in, so it’s important to get out of the house as often as possible. For most of the year that has consisted of running errands while my hard drive backed up. This was something different. There were a lot of life people out there and it was nice to watch people heading home and to whatever evening event they had planned.

I have to say it was also the first time I’d been around the area since the Lusty Lady, across the street, closed. For the longest time, despite my prudery, I’d seen it as a stubborn last stand against gentrification, a crumbling but still attractive 19th century building in between too glossy modernist monstrosities. But the traditional peepshow, and one place to break a twenty for bus fare after one in the morning, was defeated by Internet porn and the marquees that used to have a different forced punny double entendre every day now had a sign for lease rates.

SAM was packed. It was a first free Thursday since the Picasso show had opened so the line for tickets was huge. Since I was just there to draw I was able to walk around it but the show there was even a line for the coat check. This was the time I finally decided it was time to make my move and renew my membership.

In doing my pushups I stuck with my favorites, including The Lamentation over the Dead Christ, a very complex bronze piece by Massimiliano Soldani Benzi, and Indian Warrior on Horseback by Alexander Proctor and a 15th century Flemish wood carving of St Luke. I always find the St. Luke a challenge. You can tell it was meant to be looked up at from a distance and because of that it has an extremely forced perspective. I’ve yet to get it right.

I finished the evening with four drawings not as good as usual, (my record’s ten) but it was too crowded. Obviously, I don’t begrudge people the right and privilege of seeing good art, but I just can’t get into my zone if there are more than people in a room. I nearly backed into a medieval Madonna trying to avoid a lady in a wheel chair. All in all it was a good session and I enjoyed getting back into the grove of things and talking with many of the security guards I know.

Once finished it had gotten dark and I headed to the show at the OK Hotel this took a little while as I’m afraid I don’t know Pioneer square quite as well as I’d like and while I knew of the OK Hotel that was it. I had to pick up a map of the art walk before I had any luck but in the process I was able to enjoy several of the elements of the event I would have otherwise missed simply going to my goal, including a crafts fair in Occidental Mall.

Michael and Jamie’s show was very nice I met several interesting people. It was a shame that I had to sneak out after an hour to head to the Marvin Oliver Show.

The Oliver show was very good though. I always like these works where traditional techniques and styles are perfectly fused with modern technology and ideas.  The centerpiece was a stain class sculpture of an Orca, which had been purchased for a million dollars. My favorite though, was another glass piece with palm prints and spirit animals on it. It almost reminded me more of something by a native Australian artist than someone from the northwest coast.

I ended the evening over a Gyro with my friends, Steve and Barbara Schwartz before getting a ride home. Needless to say I slept very well that night.

└ Tags: Art Walk, Seattle, Seattle Art Museum
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A doodle

by wpmorse on November 3, 2010 at 11:23 am
Posted In: Art

Just thought I’d share a little doodle I did in my sketchbook while watching Iron Chef a few days ago… cleaned up and colored of course. I haven’t decided if it’s a Hamster or a Guinea Pig (Gopher and Capybara has also been suggested.)

└ Tags: Guinea Pig, Hamster, Hawaiian Shirt, Rodent, Sketches
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